星屑の冷めたさに似て菊膾  (大木あまり)
食用の菊をさっと茹でて冷水にさらし、三杯酢で和えた菊膾(きくなます)。新潟や山形の「もってのほか」「柿のもと」が有名です。その冷たさとしゃきしゃきとした歯ざわりに星屑を感じ、思いは遠く星空へ向かいます。(季語=菊膾)

キク

・・・数日前、金山の古い家に母といる夢を見た。久しぶりに会えてうれしかった・・・。母が所蔵している本の話をしたように思うけど、忘れてしまった。また、会いたいものだ。目の手術をして「危機」があったので見たのかもしれない。


交響曲イタリア響く秋の宵                                   11/8(月)六本木の夜はサントリーホール満席の賑わい。Riccardo Muti とWien Philの豊穣の夜。交響曲イタリア、ストラヴィンスキーのバレエ音楽、そしてアンコールの運命の力序曲まで、素晴らしい演奏会でした。(2021/11/9)

The competition originally scheduled in 2020. I have been watching and found some wonderful pianist. One of them is Seong-Jin Cho from South Korea who won the previous competition.

Index

Seong-Jin Cho 幻想即興曲 Final stage of the Chopin Competition 2015
Etude in C major Op. 10 No. 1German baritone Matthias Goerneat Wigmore Hall
Pianist Seong-Jin Cho answers fans questionsConcert from Carnegie HallPerforming in Munich

Born: May 28, 1994 (age 27 years), Seoul, South KoreaHangul:조성진

Seong-Jin Cho – Chopin: Scherzo No. 2 in B Flat Minor, Op. 31 284,980 回視聴 2021/06/25

日本語ページ(ジャパンアーツ)

Seong-Jin Cho – Chopin: Scherzo No. 4 in E Major, Op. 54
76,913 回視聴 2021/10/02

圧倒的才能、さらに極まる!繊細な抒情を完璧な美音で奏でる名手による至高のショパン。
2015年第17回ショパン国際ピアノ・コンクールで優勝した名手による待望のショパン・アルバム。
4曲のスケルツォは、ショパンの全創作の中でも、その激しさや深刻な曲調において非常に際立った世界を形作ってる。ピアノ協奏曲第2番は、若きショパンが満を持して作曲した最初の大作で、随所に創意が凝らされ、片思いの初恋の想いを込めた第2楽章が有名な非常にロマンティックな作品。チョ・ソンジンは完璧にコントロールされたタッチによる研ぎ澄まされた美音と、抑制の中から溢れる豊かな情感により、ショパン作品の情緒と美しさを最大限にひき出している。協奏曲は、2016年録音の「ショパン:ピアノ協奏曲第1番」でも好サポートを示したノセダ指揮ロンドン交響楽団との共演。(ユニバーサル ミュージック ジャパンより)

Seong-Jin Cho – Polonaise in A flat major Op. 53 (second stage)

日本でも超有名だったのだ。知らなかったのは私のほう。10月に横須賀芸術劇場に来るはずだったとは驚き!!

Seong-Jin Cho – Fantasy in F minor Op. 49 (first stage)

2015年コンクールの最初のステージで弾いた幻想即興曲(「雪の降る街を」!)がこちら。

趙さんのピアノが素晴らしすぎて今回の参加者のピアノの影が薄れてしまう。反田恭平さんと「かてぃんCateen」角野隼人くんは応援してるけど。

Seong-Jin Cho – Piano Concerto in E minor, Op. 11 (final stage of the Chopin Competition 2015) 14,445,821 回視聴 2015/10/19

おんなじことを言う人が世界中にいた!この圧倒的な再生回数!

Aurelia Maria After watching chopin competition 2021, I came back here again. I’m not a musician, just an ordinary person who enjoy music. But in my opinion this guy is the best of all. Thanks Cho for your magical sound. You made me falling in love with Chopin.

Summer Sonata Indeed, I fall in love with this song since I watch Chopin competition and Seong-Jin Cho plays it so beautiful that steals my heart away…


Frinna Lu
Feel like reliving Cho’s version again after this year’s finals. No one in 2021 comes close to him.hi Although Bruce’s performance was excellent, this performance is definitely on another level.. Fastmoving but flowing like water.. Cho once said “at some point, I realized I was just singing and my hands were moving by it self”..

Jung Kim올해 콩쿠르 연주자들도 물론 훌륭하지만 조성진 연주 만큼의 완성도와 감동이 느껴지진 않더군요. 성진초는 정말 세기에 한번 나오기도 힘든 귀한 연주자인것 같아요. 올해 콩쿨 보다가 성진초 영상 보니 확실히 듣기 편안하고 천상의 소리인듯 아름답게 연주하는게 느껴지네요.

今年コンクール奏者たちももちろん素晴らしいですが、チョ・ソンジン演奏ほどの完成度と感動が感じられませんでしたね。ソンジンチョは本当に世紀に一度出るのも大変な貴重な演奏者のようです。今年のコンクールよりもソンジンチョの映像を見ると、確実に聞くのが楽で、天上の音のように美しく演奏するのが感じられますね。

Jane Bryan After watching the 2021 final round, this is still the best – the legendary performance for me. My teacher always says that don’t try to interpret the music, be the music and let it ring every bell in the flow of our emotions… And Cho did it excellently!

Seong-Jin Cho – Etude in C major Op. 10 No. 1 (first stage)

“Probably the greatest recorded version of this etude in history.”

趙さん
Matthias Goerne & Seong-Jin Cho – Strauss: Drei Lieder, Op.29, I. Traum durch die Dämmerung
19,645 回視聴 2021/04/23

Legendary German baritone Matthias Goerne, one of the world’s most renowned Lieder singers, is joined by pianist Seong-Jin Cho, a star of the younger generation in an album of late Romantic works by Richard Wagner, Hans Pfitzner and Richard Strauss.

“It’s almost impossible to describe the experience of exploring songs that speak so profoundly to what it is to be human with a great young performer like Seong-Jin Cho,” says Goerne.

The last in a set of four songs written as a wedding present for his wife, the soprano Pauline de Ahna, Richard Strauss’ enchanting “Traum durch die Dämmerung” highlights the unearthly light of Strauss’ writing. Matthias Goerne & Seong-Jin Cho – Strauss: Drei Lieder, Op.29, I. Traum durch die Dämmerung Listen to ‘Im Abendrot’: https://dgt.link/Goerne-Cho Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe-DG

[Interview] 조성진의 새로운 도전! 괴르네와 함께한 성악 앨범 Im Abendrot 녹음 비하인드 13,137 回視聴 2021/04/21
🎹피아니스트 조성진이 연주하는 잔잔한 클래식 자장가 100분 연속듣기|아기 수면 음악|힐링 음악|자장가|수면 음악 연속 듣기|잠 잘때 듣기 좋은 클래식|유아 자장가|수면 유도 음악 Noctune No.20 43:00ごろ
#조성진, 쇼팽 발라드 3번을 말하다 Chopin’s Three Ballads in English notes
His Debut at Wigmore Hall on Oct 25
Seong-Jin Cho Mozart Piano Concerto No.21 (Suntory Hall Tokyo. 06.19.2013)

The young South Korean pianist, who has recently recorded the four Scherzi, won the International Chopin Piano Competition in 2015 and now enjoys a flourishing recital and concert career. Among critical reactions to his playing, that of the Wall Street Journal is typical. ‘Cho is a master. He displayed an impressive variety of tonal colour and a remarkable technique, dispatched with jaw-dropping panache’.

https://wigmore-hall.org.uk/whats-on/seong-jin-cho-202110251930

Skill and spontaneity: Seong-Jin Cho at Wigmore Hall

By Roy Westbrook, 26 October 2021
Janáček’s Piano Sonata 1. X. 1905 “From the Street”, a two-movement torso of a sonata whose finale was destroyed and whose other movements were nearly lost also, makes a bold statement opening a recital.

It was provoked by tragic events in Brno concerning a protester killed demonstrating for the creation of a Czech University in the city. The composer sounds as if writing under direct pressure of the shock of the fatality – this is far from Wordsworth’s creative aim of “emotion recollected in tranquillity”. Janáček saw truth, not beauty, as the artistic goal. The sonata’s style, with characteristic folk-derived short motifs and even its longer themes fragmented, can sound more like a transcription than original piano music. Seong-Jin Cho’s immaculate playing at Wigmore Hall made it sound like real piano music alright, even if in so doing something of its terse, tragic, haunted quality was missed. But it is hardly his fault that it always feels so unfinished.

Ravel’s Gaspard de la nuit has different challenges, technical and stylistic, but Cho produced a most impressive account of the opening Ondine. The water sprite’s quiet oscillation in the right hand was not quite perfect initially, but after that the difficulties were all mastered in the service of the music and its picturesque poetic backdrop. Ravel wanted it “wedded closely to the poem’s framework” and made one player read all Aloysius Bertrand’s poems before learning Gaspard. He also spoke of the “suggestive magic” of the glissandi, where Cho drew the most exquisite, pearly sounds from his instrument. Le Gibet needs a very slow rock-steady pulse, observed by Cho even if its sans expression marking was not quite (how can it be in such a gothic horror piece with its tolling bell?). Scarbo was majestically done and though it might not need quite such a headlong tempo, Cho managed to play fast, accurately and above all, with a grip on the propulsive rhythm.

This gifted young South Korean pianist has recently recorded Chopin’s Four Scherzi and here made the idea of playing a second half with them all in sequence work live. The opening gesture and turbulent main theme of Scherzo no. 1 sounded here like a precursor of Gaspard, which in a way it is. The Polish carol in the trio sounded like balm, or calm, after the storm, beautifully phrased. The crucial silences in Scherzo no. 2 were tense. Between the crashing chords and rumbling first motif to set up the drama before the D flat melody made its entry is progress properly intense in Cho’s hands, his rubato<the temporary disregarding of strict tempo to allow an expressive quickening or slackening, usually without altering the overall pace.> as natural as breathing.

Scherzo no. 4, one of the master’s greatest works and one of the trickiest in the range of its moods to manage, was close to perfection. I rarely listen to discs of it, since they can’t come close to Richter in Carnegie Hall in the 1960s, but I might have to reconsider. The long melody in the middle – one of Chopin’s finest, no arguments – floated effortlessly out into the auditorium, casting a spell such as few artists achieve.

Cho has a remarkable technique (this programme has nowhere to hide), but also a temperament to match. If some aspects of his interpretations sounded here more spontaneous than settled, that is one reason we go to live concerts and why we will return to hear what such a talented young artist offers next. Someone still near the start of his career and already this remarkably accomplished will be well worth following, as his numerous compatriots in the audience knew long ago.

팬들이 묻고 조성진이 답하다 – 조성진(Seong-Jin Cho) Q&A
114,169 回視聴
2021/09/17

Pianist Seong-Jin Cho answers fans questions. Find out all about him through the video.
(Eng subtitles provided)

Seong-Jin Cho – Chopin: Impromptu No. 1 in A Flat Major, Op. 29 2021/11/26

Seong-Jin Cho – Chopin: Impromptu No. 1 in A Flat Major, Op. 29 Listen to ‘Chopin: Piano Concerto No. 2 · Scherzi’: https://dgt.link/Cho-Chopin

With an overwhelming talent and innate musicality, @Seong-Jin Cho has made his mark as one of the consummate talents of his generation and most distinctive artists on the current music scene. His thoughtful and poetic, assertive and tender, virtuosic and colourful playing can combine panache with purity and is driven by an impressive natural sense of balance.

For his sixth and latest Deutsche Grammophon album, pianist @Seong-Jin Cho returns to the music of Frédéric Chopin with his Piano Concerto No. 2 and four Scherzi. The album features these best-loved works in interpretations characterised by thoughtful poetry and youthful ardour. 정말멎져요. 성진님.한국에서.연주하는것. 봽고싶어요.언제쯤오시려나.이렇게라도.자주!!

Rachmaninoff Piano Concerto No.2, Op.18 / Vienna Philharmonic Orchestra

誰かの代役で急遽カーネギーホールに向かい、大成功を収めた好演/名演。

February 25, 2022 concert from Carnegie Hall.

久しぶりにtwitterで見たSeong-Jin Choさんの美しい笑顔!素敵。2022/11/5

Great time performing in Munich with @BRSO and @JamesGaffigan and always fun to share the stage with my good friend Jehye Lee.

久しぶりにtwitterで見たSeong-Jin Choさんの美しい笑顔!素敵。2022/11/5

Great time performing in Munich with @BRSO and @JamesGaffigan and always fun to share the stage with my good friend Jehye Lee.

今年は体調不安であまり出かけず、目のこともあり運転もなるべく避けていたので、今日行かなかったら見逃すところだった。とてもいい日だった。風がなくコスモスも見ごろで、狭い道路も対向車なく無事通過できた!

花にはたいてい虫さんがついている
農園の風景

ことしの2月の” 我が懐かしきSongs; British rocks, American Rocks and Japanese songs….” は若いころの思い出がいっぱいだけど、こちらは、最初は聴くだけ、その後本格的に聴くようになったものが多い。若いころから聴いたのはシュワルツコップ(だけ?)その後フィッシャー・ディースカウさん。私のブログの最初のころに出てくる。

さようなら、フィッシャー・ディースカウさん

Fischer-Dieskau sings “Fischerweise”

Lieder by Franz Schubert Dietrich Fischer-Dieskau (bariton) and Sviatoslav Richter (piano) 1978

「漁師の歌 D881(Fischerweise D881)」
1826年3月に作曲された曲で詩はシューベルトの友人であるシュレヒタの作。各4行6連から成る詩で、1,2連では朝早い船出の情景3,4連では水上の楽しい生活、5、6連では漁師の心意気が軽やかに歌われる。

Den Fischer fechten Sorgen/ Und Gram und Leid nicht an;
Er löst am frühen Morgen Mit leichtem Sinn den Kahn.

不安も 嘆きも 苦しみも漁師を煩わせやしないもの、彼は朝早くに軽やかな気持ちで小舟を出す。

Da lagert rings noch Friede /Auf Wald und Flur und Bach,
Er ruft mit seinem Liede /Die gold’ne Sonne wach. (続き

Beethoven : An die Ferne Geliebte, op.98 (English subtitles)

(下)Beethoven’s Song Cycle ‘To the Distant Beloved’, with English subtitles, performed by Dietrich Fischer-Dieskau and Gerald Moore (この曲がYouTubeで一番たくさん聴いた曲かもしれない)

Song #1 00:02 “Auf dem Hugel Sitz ich Spahend”  Song #2 02:24 “Wo die berge so blau”  Song #3 04:30 “Leiche Ssegler in den Hahen”  Song #4 06:01 “Diese Wolken in den Hahen”  Song #5 06:58 “Es kehrel der Maien, es bluehel die au” Song #6  09:38 “Nimm sie hin denn, diese Lieder”

Mahler – Des Knaben Wunderhorn

Mahler: Lieder aus Des Knaben Wunderhorn | Klaus Florian Vogt, Kent Nagano, 171 回視聴 2021/09/28

大発見!!大好きな角笛をVogtが歌っている。しかも出来立て!!コンサートが少なくなっているためかこんなコンサートが時々出てくる。緊張感があってすばらいい演奏が聴けることがある。Jonas Kaufmanの詩人の恋も素晴らしかった。

Mahler: Lieder aus Des Knaben Wunderhorn | Klaus Florian Vogt, Kent Nagano, Elbphilharmonie Hamburg

0:15 I. Verlorne Müh’ 3:17 II. Wer hat dies Liedel erdacht? 5:37 III. Rheinlegendchen 9:18 IV. Das irdische Leben 12:18 V. Lied des Verfolgten im Turm 16:45 VI. Wo die schönen Trompeten blasen

Kent Nagano, Dirigent Klaus Florian Vogt, Tenor

baritone: Matthias Goerne, Frankfurt Radio Symphony, conductor: Paavo Järvi

詩人の恋

From the 4th Monday Concert on 27 April 2020: Robert Schumann Dichterliebe op. 48

全曲は韓国版しか見つからない。歌詞が・・わからん。

Gedichte von Heinrich Heine Jonas Kaufmann, Tenor Helmut Deutsch, Klavier

Dichterliebe Op. 48/11, Ein Jüngling liebt ein Mädchen

Jonas Kaufmann and Helmut Deutsch performed Robert Schumann’s song-cycle “Dichterliebe” Op. 48 as part of the @BayerischeStaatsoper‘s 4th Monday concert on April 27 2020 in front of an empty national theater.

Maurice Bourgue / Saint-Saëns : Oboe Sonata in D major (Pf.Ichiro Nodaira)

このオーボエを聴いて感動し、野平一郎のファンになった。それから、アンコールで聴いたWidmung に衝撃(心がキュンとなった)を覚えた。それがあって、数年後Widmungを歌うことになった。★サン=サーンス 「オーボエソナタ ニ長調」 9年前だったとは!

My Favorite “Rock”s

Top Pageへ

急に秋のような空気と気温、雨。水曜日のフラワーセンターはほんの数人の入園者。

盆栽:だんだん寂しくなっていく。数が。。。

女郎花

コスモスは10月下旬!

“Ev’ry valley shall be exalted” from Messiah – G.F. Handel, HWV.56

Ian BostridgeさんのEvery Valley は聴くのが大好きでいつも聴いているが、まさか自分で歌うとは思ってもみなかった。でも。そもそも歌をソロで歌うなんて思ってなかったのだから、歌ってみよう!!

 KBS20100222 #테너(Tenor) / 이안 보스트리치(Ian Bostridge)
意味の解説 Every valley shall be exalted- Messiah, Tenor soloist: Kurt Streit
Sir Colin Davis, Mark Padmore, LSO ゆっくり歌っている
“Ev’ry valley shall be exalted” (Piano Accompaniment)
Every valley shall be exalted – NANUI たった一人の女

なんとメロディーが歌詞の内容とぴったり一致している!谷と山のところはメロディーが上下し、Crocked のところは急な上下がある。そしてRough Places plainでは長音が続く!!

Air (Tenor)
Ev’ry valley shall be exalted,
and every mountain
and hill made low;
the crooked straight,
and the rough places plain.
(Isaiah 40:4)

アリア (テノール)
すべての谷は高められ、
すべての山や丘は低くされ、
歪んだ地は整えられ、
険しい地は平らにされる。
(イザヤ書第 40 章 4 節)

ドイツ在住のオペラ歌手があなたに伝える発声練習・コロラトゥーラを歌おう
<練習用音源> Ian さんんの動画から音声を加工させてもらいました。
練習中 Sept 11
練習中 Oct 11 進歩あり?
やっと歌えるようになってきた (Oct 30)
舞台での演奏(音声)
Every Valley Shall Be Exalted

Every valley
Every valley shall be exalted
Shall be exalted
Shall be exalted
Shall be exalted
And every mountain and hill made low

The crooked straight
And the rough places plain
The crooked straight
The crooked straight
And the rough places plain
And the rough places plain

Every valley
Every valley shall be exalted
Every valley
Every valley
Shall be exalted
And ev'ry moutain and hill made low

The crooked straight
The crooked straight
The crooked straight
And the rough places plain
And the rough places plain
And the rough places plain

The crooked straight
And the rough places plain

Music by George Frideric Handel
Lyrics from Isaiah 40
Bach Collegium San Diego | I know that my redeemer liveth (G.F. Handel: Messiah)
  1. Air (Soprano)
    Rejoice greatly, O daughter of Zion!
    shout, o daughter of Jerusalem:
    behold, thy king cometh unto thee;
    He is the righteous Saviour,
    and He shall speak peace unto the heathen.
    (Zechariah 9:9~10
Then Shall The Eyes Of The Blind Be Opened/He Shall Feed His Flock – Handel’s Messiah
  1. Air (Alto & Soprano)
    He shall feed His flock like a shepherd,
  2. and He shall gather the lambs with His arm,
    and carry them in His bosom,
    and gently lead those that are with young.
    (sop) Come unto Him, all ye that labour,
    ye that are heavy laden, and He will give you rest.
    Take His yoke upon you, and learn of Him,
    for He is meek and lowly of heart,
    and ye shall find rest unto your souls.
    (Isaiah 40:11)(St. Mathew 11:28~29)
Hana Blažíková – How beautiful are the feet of them
  1. Air (Soprano)
    How beautiful are the feet of them that preach the gospel
    of peace, and bring glad tidings of good things.
Lynne Dawson sings “I know that my redeemer liveth”
  1. ◎Air (Soprano)
    I know that my Redeemer liveth, and that He shall stand
    at the latter day upon the earth, And though worms
    destroy this body, yet in my flesh shall I see God.
    For now is Christ risen from the dead, the first fruits of
    them that sleep.
Messiah: Part 3, If God be for us, who can be against us? (Air, soprano)

46a. Air (Soprano)
If God be for us, who can be against us? Who shall lay
anything to the charge of God’s elect? It is God that
justifieth. Who is he that condemneth? It is Christ died,
yea rather, that is risen again, who is at the right hand of
God, who makes intercession for us?

2021年3月、5月の2回の怒涛のコンサートのあとは、少しゆっくりと始まった。次なる曲は「誰もやっていない」Alban Bergに挑戦。難しいけど楽しそう。私にしか歌えない歌を私らしく歌いたいものだ。⇒と思っていたら8月になりました!

秋冬コンサートの曲は、Wo der Goldregen steht, Ernst ist der Frühling, Zueignungの3曲に決まった。とおもって

Wo der Goldregen steht キハナフジの咲く頃

画像に alt 属性が指定されていません。ファイル名: D9BDAD87-ADEB-4DD0-A7AB-F9B1EE156607-700x964.jpeg

♪ Wo der Goldregen steht

Ernst ist der Frühling

Jugendlieder (Selections) : Geliebte Schöne “Ernst ist der Frühling”
詩: Heinrich Heine  Neue Gedichte - Neuer Frühling(1844)38
Ernst ist der Frühling,seine Träume
sind traurig,jede Blume schaut
von Schmerz bewegt,es bebt geheime
Wehmut im Nachtigallenlaut.

O,lächle nicht,geliebte Schöne,
so freundlich heiter,lächle nicht!
O,weine lieber! Eine Träne
küss' ich so gern dir vom Gesicht.

真面目なのだ 春は 彼の夢は
悲しく すべての花たちは
苦しみに揺れ 密かに震わせている
嘆きは ナイチンゲールの歌声に

おおほほ笑むな 愛しき美女よ
そんなに親しげに 明るくほほ笑むな!
おお それよりも泣いておくれ!一粒の涙に
ぼくはキスする方がいい 君の顔の上にある

Herbstgefühl 秋の想い

画像に alt 属性が指定されていません。ファイル名: 4d95414d-7fac-4120-926d-d3a99d587197-700x525.jpg

♪Herbstgefühl

Zueignung Richard Strauss

Jessye Norman performs Richard Strauss’ song, “Zueignung”. Kurt Masur conducts the New York Philharmonic.
Jessye Norman – A Portrait – Zueignung (Strauss)
R.Strauss “Zueignung” – piano accompaniment for baritone (B-dur)

Still the greatest! Ms. Norman really is amazing!

Ja, du weißt es, teure Seele, Daß ich fern von dir mich quäle, 
Liebe macht die Herzen krank, Habe Dank. 

Hielt ich nicht, der Freiheit Zecher, Hoch den Amethysten-Becher, 
Und du segnetest den Trank, Habe Dank. 

Und beschworst darin die Bösen, Bis ich, was ich nie gewesen, 
Heilig an Herz dir sank, Habe Dank.
「献呈」作品 10-1  (N響サイトより)
 詩:ヘルマン・フォン・ギルム

 そう、君は知っている、慕わしい心よ
 君から遠く離れて私が苦しんでいることを
 愛はひとの心を病にする
 感謝を贈ります
 かつて自由奔放な酒飲みであった私が
 水晶の盃を高くあげたときに
 君は盃に祝福してくれた
 感謝を贈ります
 そして君はその中の悪を払い除けてくれた
 私がこれまでと違う人間となって
 清らかにお前の胸に沈むまで
 感謝を贈ります

6/23 先生が「歌ってきてください」と楽譜をコピーしてくれた曲

Bella porta di tubini (紅の美しい扉よ) Andrea Falconieri(1586−1656) 作曲

Andrea Falconieri: Bella porta di rubini
Bella porta di rubini 紅の美しい扉よ F-dur ピアノ伴奏
Bella porta di rubini 
Ch'apri il varco ai dolci accenti, 
Se nei risi peregrini 
Scopri perle rilucenti, 
Tu d'amor dolce aura spiri, 
Refrigerio a miei martiri. 

Vezzosetta e fresca rosa, 
Umidetto e dolce labbro, 
Ch'hai la manna rugiadosa 
Sul bellissimo cinabro, 
Non parlar ma ridi e taci: 
Sien gli accenti i nostri baci.

美し戸口よ このルビーの お前は道を開く やさしい言葉の
時折見せる微笑は きらめく真珠の歯を覗かせる
お前は甘い吐息を発し 冷ましてくれる 私の苦しみを

愛らしく爽やかなバラよ 湿った甘い唇の
そこにはしっとりした甘露がある 美しい紅色の上に
喋らないで ほほ笑んで 黙ったままで: 言葉の代わりにくちづけを

♪ Serenade du Passant

♪ Serenade du Passant